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Hong Kong Action Blues

King of Snake: The Personal Journal of Woodrow Jarvis Hill

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An article on the Bellydance Superstars
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[info]asim
I don't enjoy Rachel Brice because she's an innovative dancer, exactly.  I love that she's her own woman, and stands up for a view of raqs that's at odds with many concepts, without being dismissive of what has come before.  From The Telegraph (UK):
Rachel Brice leads the Superstars' "tribal" group, whose costumes are much edgier. She has a gypsy-punk look, complete with porcupine quills and boar tusks in her hair, and a floral tattoo that winds enticingly from her lower belly over one hip to her backside. "There are so many levels to belly-dance," Rachel says. "It's great if you're into performance, fitness, costume, make-up, anything."
"Or just if you're into good-looking women," I suggest.
She stares pointedly. "That's my least favourite element. That's one of the reasons I like to perform a little strangely. It takes that whole 'Yeah baby!' thing away. It puts a bit of fear into the audience."
This is actually an interesting article, overall.  I despise the actual writing, which manages to leer -- on paper, no less -- every time he writes about any of the dancers.  It's a slimy Orentalist Wish fantasy, and he even admits it:
As I watch the 13 dancers rehearse their stage show at the Salisbury City Hall, I feel I shouldn't be sitting in an empty municipal theatre in Wiltshire. I should be reclining on silken cushions, nibbling sweetmeats and sucking on a hookah pipe. I should be choosing which of the girls will be wrapped and delivered to my tent.
Bastard.
And yet, there are some real gems in it:
Next year, the Bellydance Superstars will perform for three nights at the Cairo Opera House, the first belly-dancers ever to appear there. "The Opera House love that they're American girls dancing to Arab music," says Copeland. "It's a sign that we Westerners don't turn our noses up at their culture. I have Saudi financiers calling me up all the time. People in the Arab world want to create a bridge with the West."
Or:
"These dancers are incredible, I adore them," he says, rapturously. "Night after night, they've pulled off great shows in awful places on tiny stages. We played a place called Hairy Mary's in Des Moines, Iowa. We had to pick the broken glass off the stage before the girls could go on."
He stops before chiding himself: "Miles! Sorry, I shouldn't refer to them as 'girls'. They're ladies."
Indeed they are, Miles.  And haven't you managed to get in enough trouble over that already, young man?

But perhaps the best part is Jillina's bit at the end, with 10 tips:
3 The best body shape is voluptuous, with a long torso and curves. No one's ever been turned away for being too big.
and
6 Do it for the love of it. It took a while for belly-dancing to catch on and at the start people would boo; but then some people in our troupe were asked to dance at Brad Pitt and Jennifer Aniston's wedding, which was obviously very exciting.

I don't agree with them all -- I think her advice for men wanting to get into the dance is iffy (yoga yes, ballet no), but they are all food for thought.  I suspect a talk with Jillina would be interesting...

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Brice's style is not my own, or one that I particularly enjoy, but every time I hear/read her say something about the dance I gain more respect for her.

I don't have much respect for Copeland, tho'. I will never think of him in terms of Raks; but I will admit he is a shrewd businessman.

A friend asked me to review Jillina's instructional dvd and when I did I was shocked with how mild her personality came off; almost like she was shy. Maybe it was just becuase of the camera, but it did start and interesting conversation w/ my beloved who thought that all performers were necessarily outgoing and gregarious.

A friend asked me to review Jillina's instructional dvd and when I did I was shocked with how mild her personality came off
She's like that in person, as well. She struck me as a "sweet" gal, if that makes any sense.

Rachel Brice has a fabulous attitude about the dance and life in general. Have you seen the interview clip where she talks about the heavy dancer who inspired her?

http://homepage.mac.com/tijjster/iMovieTheater8.html

Anyway, I like her attitude.


This made me tear up, Asim. You made me think about all the things I love about bellydancing and how much I miss doing it.

Awww. Thank you. :)

I read your commentary as well; totally understand where you're at in terms of dancing. And it's a very period ideal, to just dance socially and not professionally, if that's any solace.

The best body shape is voluptuous, with a long torso and curves. No one's ever been turned away for being too big.

You know... I HATED my body three years ago. And then I walked into Zarifa's class and she taught me to use and LOVE my curves... Curves are a beautiful and powerful thing, I can't believe that I tried to hide them for so long.

There isn't even one part of my life that hasn't been positively effected by bellydance and it started with challenging my perception of myself.

Rachel Brice is one of my heroes, not only for her style and ability but for her attitude.


Curves are a beautiful and powerful thing
Oh, hell yes. ;)
There isn't even one part of my life that hasn't been positively effected by bellydance and it started with challenging my perception of myself.
And you wonder why I get That Look at you when you doubt...

I like your confidence in yourself.

It's awesome how body-positive bellydancing is and how the article points that out, but I find it highly amusing that the caption about the best body shape being voluptuous is on a picture showing a line of firm breasts and small bellies. :)

Wow! That was one of the worst articles on bellydancing I've read in a long time.

I hate that Copeland is able to become significant because of the amount of money he has to pour into this dance form. I probably shouldn't... that's the way the world works after all, but his vision for the dance is lightyears away from my vision of the dance.


his vision for the dance is lightyears away from my vision of the dance.
Good.
Because seeing with just one eye kind of sucks. And there's nothing that says that a determined group of dancers cannot co-opt what Copelan hath wrought.

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